
The first real film from a director who went on to do a lot of interesting work in the 1970's and 80's before his tragic death by drowning in 1986. An avowed homage to Eyes Without a Face, the film unquestionably creates its own atmosphere and goes in a very different direction from its more famous model. Mulot's film has great cinematography, an interesting script construction and a very melancholic mood that marks it out from most low budget shockers of the period. Although not a costume piece as such, it is probably closer to the classic Mill of the Stone Women than to Franju's film. The acting and direction are of a uniformly high standard. Anny Duperey and Philip Lemaire impart real depth to their characterizations and it's great to see Euro legend Howard Vernon once again. The film was sold as a mixture of sex and horror and the sex is provided by a bevy of stunning Euro babes including Valerie Boisgel and Michele Perello who went on to feature in Morgane et ses Nymphes before disappearing into the hinterlands of porn. Well worth more than a passing look for any fan of classy Euro horror, this one has probably improved with age and repays repeated viewings. Was the above comment useful to you?
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新难兄难弟之湘军进城
赵梁,王星雅,吕文胜,白晓朵
赵梁,王星雅,吕文胜,白晓朵
2016/大陆
/国语

龙华之少年归
徐浩杰 韩春南 徐昊 李歌 赵晋 吕一丁 贾依诺
徐浩杰 韩春南 徐昊 李歌 赵晋 吕一丁 贾依诺
2017/中国
/

第五大道
John Rubinstein
John Rubinstein
1995/美国
/英语

原来如此
池丹,徐志飞,杨燕,罗雅文,董燕伟,姜雪梅,徐千千
池丹,徐志飞,杨燕,罗雅文,董燕伟,姜雪梅,徐千千
2018/大陆
/国语

传枪记
张学敏,王幼童,阎涤华,吴晓琳
张学敏,王幼童,阎涤华,吴晓琳
0/大陆
/国语

超级围挡
Leo Fafard 马歇尔·威廉斯 娜塔莉·科瑞尔
Leo Fafard 马歇尔·威廉斯 娜塔莉·科瑞尔
2018/加拿大
/英语

灵目传——觉醒
许贵源,辜芷蕓
许贵源,辜芷蕓
2020/中国大陆
/普通话

与君别
吉川満子,磯野秋雄,水久保澄子
吉川満子,磯野秋雄,水久保澄子
1933/日本
/日语

豆满江
尹兰
尹兰
2010/韩国
/国语

烈马争锋上海滩
吕良伟,童飞,刘倬廷,任思齐,余籽璇,李岩,陈作深
吕良伟,童飞,刘倬廷,任思齐,余籽璇,李岩,陈作深
2022/大陆
/国语

两万种蜜蜂 20.000
索菲娅·奥特罗,帕特里夏·洛佩斯·阿奈斯,安·加巴拉因,马切洛·卢比奥,伊兹亚尔·拉兹卡诺,萨拉·科萨尔
索菲娅·奥特罗,帕特里夏·洛佩斯·阿奈斯,安·加巴拉因,马切洛·卢比奥,伊兹亚尔·拉兹卡诺,萨拉·科萨尔
2023/西班牙
/西班牙语
The first real film from a director who went on to do a lot of interesting work in the 1970's and 80's before his tragic death by drowning in 1986. An avowed homage to Eyes Without a Face, the film unquestionably creates its own atmosphere and goes in a very different direction from its more famous model. Mulot's film has great cinematography, an interesting script construction and a very melancholic mood that marks it out from most low budget shockers of the period. Although not a costume piece as such, it is probably closer to the classic Mill of the Stone Women than to Franju's film. The acting and direction are of a uniformly high standard. Anny Duperey and Philip Lemaire impart real depth to their characterizations and it's great to see Euro legend Howard Vernon once again. The film was sold as a mixture of sex and horror and the sex is provided by a bevy of stunning Euro babes including Valerie Boisgel and Michele Perello who went on to feature in Morgane et ses Nymphes before disappearing into the hinterlands of porn. Well worth more than a passing look for any fan of classy Euro horror, this one has probably improved with age and repays repeated viewings. Was the above comment useful to you?